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Michal Kimhi / A Sublimation of Innocence

In a world shaken and reeling with styles and trends, a world steeped in isms and the perennial debate over whether art or painting should represent reality, there exists, in a manner that transcends countries and time, a trend described as na?ve art.
Michal Kimhi’s corpus falls safely into this category and coincides with this trend, which retains its position as an essential element of the art scene across periods. Read more

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