| Editor Notices |
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A celebration is in order here at CAN Magazine, with the publication of our 50th edition! This is quite a milestone, and the road has never been easy. We are all too aware of the objective hurdles facing any printed art magazine, let alone a quality-print art magazine covering the day-to-day Israeli art scene. ICU (International Cultural Union), the NPO producing our magazine, deserves a lot of credit for its vision and perseverance. Fifty voluminous editions, filled with artistic knowledge, pri...Read more...
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| Galleries |
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 | | | ve, as if saying: “Here I am, and this is how I look (in fact, how I will look), with all my wrinkles and sagging skin, my face is scarred by time. I am human”.
Curator: Hana Barak Engel
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 | | | flowers were flowers and lines were lines. Later, influenced by Impressionist painting, I started to deconstruct the image, which is evident in my later works."
curator: Dr. Doron J. Lurie
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 | | | flight for a moment, coming down to see “if the waters were abated from off the face of the ground.” (Genesis 8:8) This is the calm that Amram seeks for herself and for us.
Shir Meller-Yamaguchi
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 | | | world (and the center of the canvas), thus expressing an inner world; and the figures she chooses to portray become those who speak through her, while she speaks through them.
Dr. Nurit Cederboum
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 | | | o be attributed to Tabakov, who gracefully and beautifully portrays contradictory situations of toil and hardship, making the viewer stand in awe and empathy at the same time.
Dr. Nurit Cederboum
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